Love Music：爱音乐

专辑歌手：Jimi Hendrix
专辑名称：First Rays Of The New Rising Sun
专辑流派：Hard Rock
发行年月：2010.03.09
发行厂牌：Sony Legacy
压缩码率：212kbps，mp3vbr
压缩大小：108mb
国家语言：美国，英语
相关链接：MySpace|Website|Amazon|Last.fm
相关简介：
Jimi Hendrix是摇滚乐史上最伟大的吉它手，也许还有很多人对此有异议，但可以肯定地说，只是少数，其它传奇性摇滚吉它手可能在技术上更娴熟，但在 jimi之前，电吉它不过是吉它原声的电声化，正是Jimi用他的吉它创造了前人从未曾想到的奇迹，在他短暂却辉煌的音乐生涯里，jimi重塑了吉它，赋 予它生命。摇滚信徒心目中的神是一位瘦削的、有着忧郁的大眼睛和爆炸式卷发的黑人——Jimi Hendrix。不仅摇滚乐迷对他顶礼膜拜，许多摇滚巨星也奉他为英雄、偶像。

出身于西雅图的吉米罕醉克斯，在舞台上的演出永远狂猛生动，让人情不自禁跟随着他的音乐舞动着、快乐着。他带给人们快乐，自己却因为嗑药过度早逝，在他出生的家乡西雅图有一个音乐博物馆，其中有一个主题馆专门介绍吉米罕醉克斯。
Jimi 惯用左手弹琴，但他拒绝使用左撇子专用的吉他。他把专为右手设计的 Fender Stratocaster六条弦顺序倒装，再反过来弹，创造出许多只有左撇子纔做得到的弹奏技巧。他的个头有点矮，所以总是穿着厚底鞋，奇怪的是只要一站 上舞台，他就显得高大无比。许多认识Jimi的人都说，他拥有一双最最美丽的手。就是这双手，使他在舞台上变得气势凌人、难以逼视。

Jimi Hendrix，他是摇滚音乐史中最伟大的吉他手之一，甚至把他称为最伟大的一位，恐怕也不会有太大争议。毫无疑问，Jimi Hendrix肯定是一位极具天才、极具原创意、和极有影响力的吉他手，Jimi Hendrix的吉他技术可以在台上随心所欲地演奏，他尤喜把吉他置于颈后弹奏，或甚至用牙齿拨弦，其运用电吉他的回音效果更别有一手，粗悍难驯的迷幻压 迫感跃然于每一个音符中。

一九六七年Jimi Hendrix重返美国，在蒙特利尔流行音乐节演出，技惊四座，有缘目睹当次演出的都惊叹不已，Jimi Hendrix的巨星地位也日渐巩固。其后两张专辑Axis：Bold As Love和Electric Ladyland都是Jimi Hendrix代表之作，把其迷幻重型吉他技巧发挥得痛快淋漓，可说是这位吉他巨匠艺术生命的巅峰之作。一九七○年夏季，Jimi Hendrix出席英国的lsle of Wright Festival（威特岛音乐节），乃是这位迷幻巨匠最后一次在英国乐迷眼前公开演出；同年九月十八日，Jimi Hendrix因呕吐而窒息致死，相信同时是因服用过量药物及酒精。流行乐坛失去了最重要、最具影响力的吉他手。Jimi Hendrix影响了很多著名的摇滚吉他大师，JimiHendrix若多活几年，影响力肯定绝不止于此，流行音乐史也肯定得改写。
The guy was damn ingenious with a guitar, but not half as industrious as the folks who’ve packaged and repackaged his posthumous material. First Rays of the New Rising Sun, however, is an attractive assortment of “spiritual, very earthy” late recordings that surfaced in the ’70s via The Cry of Love, Crash Landing, Rainbow Bridge, and War Heroes. Hendrix appeared to be in transition between flamboyant showman and serious musician personas at the time (meaning his work, had he lived, might have been twice as meritorious and half as fun), and that makes many of these tracks all the more interesting. –Steven Stolder

We will never know exactly how Jimi Hendrix intended First Rays of the New Rising Sun, because he died before the album was complete. Until the end of time, fans will argue about how closely this reconstruction resembles Hendrix’s presumed wishes for his 1970 album. Yet, all that is beside the point. What matters is that this group of songs shows that Hendrix was showing no signs of slowing — the ‘70s were heralding new developments in his playing, songwriting, and production techniques. The ferocious hard rock of “Freedom,” “Ezy Ryder,” “Stepping Stone” and “Straight Ahead” put Hendrix in step with Led Zeppelin, while the psychedelic soul of “Night Bird Flying,” “Dolly Dagger” and “Izabella” show an affinity for Funkadelic and late-period Temptations. Then there are the tracks that represent a blissful hybrid of soul and rock music that belongs solely to Jimi: “Angel,” “Drifting” and “My Friend.” The early ‘70s would bring about tremendous innovation in both hard rock and soul music, and First Rays of the New Rising Sun shows that Hendrix was poised to be the only artist to revolutionize both arenas.

专辑试听：

专辑曲目：
1. Freedom
2. Izabella
3. Night Bird Flying
4. Angel
5. Room Full Of Mirrors
6. Dolly Dagger
7. Ezy Ryder
8. Drifting
9. Beginnings
10. Stepping Stone
11. My Friend
12. Straight Ahead
13. Hey Baby (New Rising Sun)
14. Earth Blues
15. Astro Man
16. In From The Storm
17. Belly Button Window

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Tags: Hard Rock, Rock

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This entry was posted on 星期一, 三月 8th, 2010 at 1:59 下午 and is filed under Rock. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.